dream

brown eyes,

gold skin,

black cross-hatching,

blue rivers of veins

running through;

i see you. i see you.

your fingers find mine,

carry their own heat;

i feel you. i feel you.

your open mouth holds

what we don’t need to say.

you unfold your acre arms; and

i fall straight through

to the other side.

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get up and sing

she tells me to get up and sing.

but that seems to go against everything.

 

singing is for things with wings.

 

i used to have wings.

i used to suck the marrow out of them.

 

but this passage of time . . .

this long, harrowing voyage—

with all its mysterious baggage—

 

has left me standing alone on a

platform in the middle of the sea.

 

i want to jump off the seawall.

 

why can’t the devil be saved?

 

if love is that big,

that all-encompassing,

then why does he remain lost?

 

neither height, nor depth,

nor principalities, nor powers,

nor things present, nor things to come

shall separate us from the love of god…

 

is it because he is

one of the principalities?

one of the dark divides?

 

did he choose that?

can he choose not to be?

 

is he a he? an it? a piece of all of us?

 

is it that he/it/we will just never admit

to needing to be saved?

 

how long can wrath take the wheel

before it submits?

 

are we that self-destructive,

that self-loathing, that we would

rather die for an eternity than

admit we are broken?

 

i don’t know.

 

maybe this is why we get up and sing:

 

because everything else is just too hard,

and i’m tired of teetering

on the edge of nothing.

we climb the continual

we are each born into this world with a dream.

when we first arrive, we know it to our core.

 

as time—and we—unfold, we begin to forget;

it burrows back down into our recesses.

 

sometimes small glimpses will come to the

surface, if we allow space: a painted picture, a

 

sculpted pot, a sleeping story. unmet dreams

follow us en masse down dark side streets,

 

find us in all-night conversations,

meet us under a portal of stars.

 

we climb the continual spiral—

toward voice, birth, source, love.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

favorite part of speech

i walk beside the river in the snow.

my cat curls beside me on the couch.

 

we are in this world to rub up

against other things and beings.

 

we define ourselves

in relation to others.

 

try to describe who

or where you are

 

without prepositions:

the words of relation-

 

ships. even an

island is in the sea,

 

far from land and

longing for habitation.

 

jump into the water

and see where it takes

 

you. cast off your

past, the weight of

 

mistakes, the heavy

anchor of indecision.

 

it is time to sail, to

take flight, to feel the

 

wind in your wings:

in, on, through, between.

 

 

 

we are december

while we were away,

winter happened.

 

i came home to fresh

frost on the grass.

 

we share this set of days,

this slow creep toward

 

the center of the snow

globe maze. at any moment,

 

a child’s hand can scoop

up the glass and shake us into

 

oblivion. her delight is

our delay. in the falling

 

flurries, i find you: wrapped

in your mother’s red scarf—

 

holding the hand of time.

we are the child, the snow,

 

the mother, the scarf;

we are december.

 

 

the opposite of time

there are no synonyms for

you; you are one of a

 

kind. in my dreams, it is

so clear: what i want.

 

it is the meeting of

body and mind.

 

my mind does not

leave my body; she

 

takes her along,

loves her the whole

 

stay. being asleep

is the real awake:

 

the opposite of time.

 

while not asleep,

i’m in my own way.

 

i hold my blueberry coffee;

i stand in the hospital corridor

 

with my throat shut. the

sickness perseverates

 

in the mouth, jaw,

throat, chest, gut;

 

the non-words

in duress.

 

truth

is terror—

 

a forever

pain.

 

but in dreams,

it is made into

 

beauty: alchemy

as it should be.

 

i go to sleep under

a November tree,

 

between the

bright carpet

 

and brighter

hangings, and

 

meet you there.

ii.

the view from in here:

the curves, colors, corners—

 

forming the anchorage of

you. the angled wood running

 

down hallways, dreaming of

being trees in a time before

 

scarcity. she didn’t want to grow,

to move, to change; she knew:

 

something is wrong. she crept into

the wall and fashioned herself in-

 

to a knot: good for the slaying.

from beyond she is still saying:

 

throw me a line. it continues

to feed our gibbous infamy.