the queen of afterthoughts

i’m the only one

the puppy won’t love.

 

maybe it would have been me,

eventually, who cheated.

 

inside, i think i am safe;

but i just feel tiny.

 

i twist and turn, a mini-cube

trying to solve all my problems.

 

you started dying in utah.

 

the three of us were outsiders;

together, deep in thought.

 

now you are both gone.

 

she’s always there, now,

when i dream of you.

 

this means something.

 

meanwhile, my girl holds up the

walls; blocks the door, the windows.

 

her arms are exhausted.

 

and she is wading into the

deep water of adulthood.

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we are always building

i miss the feeling of shaking

from something other than

 

anger, other than fear. i go

to my window and look for the

 

little flowers of hope. they are

every where; fragments amid

 

very long sentences: the swallow

tail, the barn swallow, the migrating

 

monarch. your energy goes where it’s

needed; there, it meets the energy it needs.

 

fire is friction.

imagine these are real:

 

a tiny wild child on your knee,

a tired dictator on the other, the

 

view of your own face from the

inside; they are all in the arena

 

with you: daring greatly.

we are always building: bridges,

 

portals, spirals, spaceships—

without knowing. all the

 

water droplets are being

summoned into one

 

stream, here at the

intersection of all things.

 

 

we saw each other

i thought i saw a white hat

passing by my house.

 

it was just the tip of a

flag; it was just used as a

 

weapon of war.

to be a cone in

 

training, to be washed

up on the shore so far

 

from your mother drum—

from where you also came

 

from: you can’t hear your

heart beat any more.

 

you think others are erasing

you, but you are erasing

 

your self—strike by strike,

gun by gun.

 

we all came

from a woman;

 

we all lay helpless

at the tit and grew.

 

we used to be

syzygy.

 

now we beg, borrow,

steal, kill—

 

in the name

of history.

 

our birth is our

birth-right: a gestalt

 

of will. we were all

there at the beginning.

 

we saw each other

across the

 

great expanse

and knew.

 

 

iii.

i thought i lost you:

on my own—

 

twist of lightning;

home alone.

 

open-chested

trinity:

 

a paradox of

riches—

 

first steps,

first stay,

 

first time

driving away;

 

the lonely light house

winks at the bay.

 

and we lay, we lay,

we lay down our dark

 

arms and rub up against

the furry light of day.

 

 

 

i.

i wake in the night to a

different realm; pulled from

 

my fuzzy yellow refuge. the

voices i meet are darker, thicker,

 

carrying something un-

speakably heavy across the

 

dimensions. every one i have

ever known—even my own

 

sisters, mother, father: sleeping

just feet from me—feel thousands

 

of memories away. i alone am

standing watch; am a crumbling wall

 

between what i thought i knew and the

all—knowing—all—encompassing

 

void

 

i don’t know why they are

visiting upon me; but one thing

 

i do know as i crouch in the deep-

dark pockets of the hallway, shaking

 

and weeping and lost:      i am

different.

some nights the moon is a train

it takes me a while

to love things.

 

but then i am

loyally locked in.

 

the colonial blue

house holds the

 

key, but no door.

in the back-ground,

 

the long bow of the

cello sings up from

 

the depths. one floor up,

children grow in their

 

beds. dad used to tease

about putting us in a vice

 

overnight. i took his words

to heart: the dreams that

 

shortened me still follow—

strong shadows of

 

nails and hair; of things

that once lived, fighting

 

to weave them-selves

back in, back to life.

 

some nights the moon

is a train. i am boarding

 

her, i am carrying

alstroemerias, i am

 

smiling as the tiny

gear of a whisper

 

turns. the shrieking,

pulsing, turning to

 

blood is all in my

head; out-side, the

 

view is silent: a giant

wheel of compliance.

 

 

 

dust has nothing to fear

i’m on a long journey, and

i don’t know the way.

 

the dust under my feet

has nothing to fear;

 

it’s been here before,

but it has a lot to say—

 

to the fingers, to the

rib-cage, to this feast, to

 

the miles walked across

this beach: once you are

 

thus reduced, you can only

transform into some thing

 

new—a diamond, a sand-

storm, a brilliant planet.

 

take every thing that is

happening, every thing you

 

feel, every thing you keep

silent, every thing you shout—

 

and kneel: turn it,

churn it into art.

 

it is the only way in,

and the only way out.