you are the poem

sit silently with your self;

listen to your breath, to last

night’s dreams, to the hammer

heart-beats which carried you

 

through. listen again. do you

hear your treble, the shaking

space between your stanzas,

the tremble of your verse?

 

you are the poem.

 

stop letting in all the noise. make

your own noise—just for you. if you

don’t want to rhyme, don’t. let your

capitals go. be un-titled. let the

 

line

breaks

surprise

even

 

you. swim in the imagery, steep in

the buzz of beginning over that of

belonging. watch a being give

birth. you are the poem. it will

 

all be over soon. taste each syl-

la-ble in your mouth, feel the tug

of adrenaline in the pit of your

stomach: the closest to the center

 

of child hood you will ever get

again. take cream in your coffee.

romance your selves and those

clinging to them with satin

 

static. if you take a title, own

it; sing it out with each pulse.

hug the children, love the world,

speak the beauty, love the poem.

 

you are the poem.

 

 

 

 

tiny home

Josie looked around at the giant house one last time: the vast emptiness, the sloping walls meeting the sprawling floors, the cathedral tiled tub scrubbed as shiny as ever, the multiple pockets of closets where things had crouched hidden for years—now flung open, naked and wanting. She was ready: to say goodbye, to close the multiple doors, to run as fast as she could from this wide domestic spread and its wider clutches.

She had a ticket. She felt it in her pocket. Its bulky presence reminded her that she had somewhere to be, something important to do. She couldn’t miss her train. She couldn’t let the people on the train down. They were counting on her. The whole world was counting on her.

In one hand she carried an argyle suitcase, and in the other a worn leather briefcase. On her back was the remainder of her belongings, stuffed into the Jansport backpack she had carried all through high school. Everything else she had ever owned was gone—sold, thrown away, given away, left behind, scattered to the wind.

She felt lighter as she walked away from the cab toward the platform. She felt so light she imagined dropping her remaining possessions to the ground, lifting up off the concrete slab—toes pointed, arms outstretched, face tilted toward the sun as she rose above the crowds watching her ascent.

The train whistle cut through her thoughts as people scurried around her. She felt her feet touch down, and she told them to move forward toward the open door. It was a narrow door, and she turned sideways as she struggled to squeeze her bags through. Where was the conductor to take her ticket? To help her with her bags? To give her a gaze of quiet assurance? Was this even the right train?

She followed the line of travelers down the aisle. They seemed to move with confidence. They seemed to believe. Really, they were just competing for an empty window seat. She finally found one near the rear of the car. She laid her luggage on the aisle seat for a moment, catching her breath before lifting the heavy suitcase up onto the shelf above.

She had not been able to part with her favorite books. They were more important than clothes. She had kept only three changes of clothes, two pairs of shoes (one of which she was wearing—her trusty hiking boots), a blanket, a small pillow, her father’s checkered necktie, a few worn undergarments, and her grandmother’s pink silk scarf. It was the only pink thing she owned. The rest of the trunk was filled with Jane Austen, Pablo Neruda, Margaret Atwood, Paulo Coelho. There were many more, but it had been difficult to choose. She would have rather gone with just the clothes on her back and carried only books. But she noticed that the fewer belongings she had, the more attention she was able to give each one—like dear children important in their own eternal way. While packing she had talked to each one, tucking it in tightly to its tiny assigned space: Don’t worry, you are safe, you are not alone. It was important to say these things out loud.

At the next platform she would board a larger train with a small compartment all her own. Here she would live for the next few months, transverse the states while writing, watching out the wide windows, waiting for a sign. Inside, within the four small stationary walls, she would find and welcome home all the selves that had wandered away over time and become lost within a fractured body, a fragmented memory, a starving marriage, an immoveable mansion. Josie closed her eyes and let the lull of the train put her into a deep sleep.

refuge

healing is always happening

in forgotten parts of the

body, like pockets of fog in a

forest that goes on forever.

 

in this sanctuary, the voices

persist, like wind: tucking you

into the places you resist. the

 

only things that are real are in-

visible; but you already know this—

 

and you are all in.

 

dust has nothing to fear

i’m on a long journey, and

i don’t know the way.

 

the dust under my feet

has nothing to fear;

 

it’s been here before,

but it has a lot to say—

 

to the fingers, to the

rib-cage, to this feast, to

 

the miles walked across

this beach: once you are

 

thus reduced, you can only

transform into some thing

 

new—a diamond, a sand-

storm, a brilliant planet.

 

take every thing that is

happening, every thing you

 

feel, every thing you keep

silent, every thing you shout—

 

and kneel: turn it,

churn it into art.

 

it is the only way in,

and the only way out.

 

pick just one thing

what do you do when the

world seems to be coming

 

apart? how do you embody

the bravery that you know you

 

will need, that you know your

children and your children’s

 

children will seek for their very

survival? when the system has

 

turned cold and impervious—

the governing body stripped

 

of its head and its heart, and in

its place: angry fistfuls of gold—

 

how do you continue to break

in, break through, without

 

breaking down? pick just

one thing. pick one thing you

 

can learn, one thing you can

research, one person you can

 

help, one word you can say, one

way to hold on to that bravery

 

and hope; pick just one thing.

no one else can pick it for you:

 

find the thing that speaks to

you—above the roar of bullshit,

 

the one thing you can do today,

right now, every day, as small as it

 

seems. each person doing just one

thing with love and intention will build

 

back a breathing, beating body:

whole and full, with head and heart

 

and arms and hands open

and ready to receive again.

 

 

 

permanent record

when she was a child, she

realized she could move

things with her eyes. she

remembers them levitating,

flying about, crash-landing.

 

she’s in the middle of her

life now; she feels what

people call a crisis. she

talks to herself, and is the

nicest person to talk back.

 

she reads novels that are

going no-where; she keeps

seeing under-utilized words that

aren’t there. she thinks one thing

and writes another. she knows

 

you can say things in a poem

you can’t say any-where else.

people are weapons; even the

kids playing on the lawn in the

warm snow are getting away with it.

 

 

 

 

snap shot 4

“I’m in trouble.”

She woke with these words in her mind, almost on her tongue. She wasn’t sure if the words were spawned by her feeling of despair upon facing another day with the chronic aches and pains (some inhabiting her body, and others visiting from an unknown place) and still no answers—or if they had been triggered by the random patchwork of dreams from the night: her wedding to an old love, her pregnancy by an ex-husband, her strange reunion with an old friend.

At least she was human in these dreams. And, lately, sometimes Kevin Arnold. She smirked at this, at the knowledge of the television world seeping into her reality—of her growing dependence on nostalgic shows to help escape from what felt like a dying garden. There was still beauty—all around—and some soil, and some water, and a little cold sun, and a few people wandering about; but there was also the nagging feeling of death, of things being slowly starved and shriveled, of other things sprouting oddities and twisting off in the wrong direction.

Lee often tried to be optimistic. Not quite cheerful (that emotion typically surfaced only when buzzed or caught up in a love balloon), but grounded in a larger picture of herself and this life—stabilized by an ever-present, irritating really, knowledge that things would somehow work out, would somehow be okay. She had felt this stoicism from her father, this cautious confidence. But lately she could feel herself slipping, her knowledge fading, her hope becoming heavy under the weight of loneliness, age, teenage cynicism, doubt, and now—injury.

Leonard Cohen knew. And he knew that everyone else knew, too. This life was unbearable, harsh, cruel even. And yet, startling in its beauty and unpredictable kindness. Navigating between these two extremes was a heroic, gymnastic effort which exhausted the trifecta of mind, body, and soul. No wonder she could barely get out of bed some days.

Some of her friends were tired of hearing about it. She didn’t have as many friends because of it, and usually she was relieved by this. It meant less expectation, less energy, less investment. But the reverse was also true: fewer people were invested in her. Less energy was being tossed her way. She knew her readers would also become impatient eventually—especially if she didn’t throw in a love scene soon. At least some suggestive dialogue. She laughed out loud as she struggled to stand.

“Love waits for no man.”

She thought of all the love that was happening all around her—and of her own small doses being exchanged within this house, and without. Within this world, and without. There were so many different types of love, and she would be damned if she was going to let herself get caught up in one or two tiny definitions. And anyway, was it love that waits for no man? Or time? Were they one in the same? She pictured a wild time-love horse charging away into the tide without its rider.

After all this thinking, Lee became tired. Coffee was up next, with a side of berry yogurt to cushion the belly against the delicious acid. What came after that was a new hope in the form of a phone call. There was a treatment for her broken foot, and she had been approved for it. A new path—beginning next week. She would throw everything she had into this hope.

She thought about her fear of surgery, and wondered if it was related to her other fears. She would not name them just yet. She would not give them credence. Instead, she would spend days, weeks—months even—trying on yet another opinion about how her life could be improved.